rom his earliest days as a comic, forging a career with his knack for celebrity impersonations, Jim Carrey has understood and been fascinated by the concept of human duality. In choosing his roles he has searched out characters that are struggling to find their identity. Whether it be mania vs. the shy conservatism of Stanley Ipkiss in The Mask or his portrayal of a man struggling with external polarities, as in the "real" vs. "false" world conflict of The Truman Show, duality is a theme that repeatedly pops up.

  In his most recent work, The Majestic, he has once again found himself in familiar territory. The struggle to find out who one really is. Directed by Frank Darabont (The Shawshank Redemption), The Majestic deals with a case of mistaken identity. Shortly after being blacklisted and cast out of Hollywood by the Red Scare of the '50s, screenwriter Peter Appleton (Carrey) is involved in a car accident. This results in a severe case of amnesia. 

  Having no memory of his former self, he is taken in by the town of Lawson who mistake him for Luke Trimble, a hometown hero thought to have been killed in WWII. In his new life Peter takes to managing a run down movie theater and finds love in the form of Adele Stanton (Laurie Holden).
actors
Jim Carrey
Martin Landau
Laurie Holden
Allen Garfield
Bruce Campbell

director
Frank Darabont

locations
Ferndale, California
Los Angeles, California

outtake
The movie was
originally to be
titled The Bijou but was changed to The Majestic when it was found that
the calls coming
in to inquire about production repeatedly mistook the title as "The Bayou."


  Helped along by acting coach Larry Moss, Carrey was required to find a second psychology and physicality for Peter as he begins to rebuild himself in the image of Luke. "The days when I'm playing (screenwriter) Pete, I'm bummed out," the actor explains, "but on (soldier) Luke days, I literally grow two inches. I have the wardrobe guy going, 'How come this suit doesn't fit now?'"

  The word on the street is that this is the performance of a more mature, subdued Carrey. Long behind him are the days of his pet detective buffoonery. It's this new restraint that has impressed the likes of Martin Landau, who plays along side Carrey as Luke's father, Harry Trimble. "He's going to raise a lot of eyebrows and surprise a lot of people," enthuses the movie veteran, "It's a pleasure to see him as a human being, a really, complex character."

  At times in his career history Carrey has voiced concern about his slapstick past. He had a fear of becoming a 60-year-old actor who would still be cast in zany, athletic roles involving prat falls and funny walks. He has made it his mission in his most recent performances to distance himself from this image, surprising his detractors in the process.

  In 1998 he infused the character of Truman Burbank in The Truman Show with genuine pathos and depth. Carrying on in this vein he then stunned the public with his uncanny portrayal of Andy Kaufman in Man on the Moon. Now with The Majestic, the third in his trilogy of understated performances, he may finally outdistance the garish shadow of his comedic past.

  "I've spent my whole life trying to be this magical elixir man," the actor says in a humble moment. "I'm realizing now that the real magic is the fact that I'm like everybody else." Coming from a man who is notorious for his almost extra terrestrial antics in earlier films, it looks like his career is becoming
as multifaceted as the characters he creates.

- David Summers