rom his earliest days as a comic, forging a career with his knack for celebrity impersonations, Jim Carrey has understood and been fascinated by the concept of human duality. In choosing his roles he has searched out characters that are struggling to find their identity. Whether it be mania vs. the shy conservatism of Stanley Ipkiss in The Mask or his portrayal of a man struggling with external polarities, as in the "real" vs. "false" world conflict of The Truman Show, duality is a theme that repeatedly pops up. In his most recent work, The Majestic, he has once again found himself in familiar territory. The struggle to find out who one really is. Directed by Frank Darabont (The Shawshank Redemption), The Majestic deals with a case of mistaken identity. Shortly after being blacklisted and cast out of Hollywood by the Red Scare of the '50s, screenwriter Peter Appleton (Carrey) is involved in a car accident. This results in a severe case of amnesia. Having no memory of his former self, he is taken in by the town of Lawson who mistake him for Luke Trimble, a hometown hero thought to have been killed in WWII. In his new life Peter takes to managing a run down movie theater and finds love in the form of Adele Stanton (Laurie Holden). |
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